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	<title>digital futures</title>
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	<description>digital futures</description>
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		<title>Resources: Adobe Illustrator</title>
		<link>http://www.digitalfutures.info/technology/resources-adobe-illustrator /</link>
		<comments>http://www.digitalfutures.info/technology/resources-adobe-illustrator /#comments</comments>
		<pubDate>Fri, 02 Mar 2012 08:36:27 +0000</pubDate>
		<dc:creator>SMisiurek</dc:creator>
				<category><![CDATA[Resources]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://www.digitalfutures.info/?p=1759</guid>
		<description><![CDATA[
Adobe Resources:

Adobe Illustrator
Illustrator &#8211; Getting Started 
Adobe TV
Illustrator Video Tutorials
Illustrator ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1761" title="DF_Adobe_Illustrator_logo" src="http://www.digitalfutures.info/wp-content/uploads/2012/03/DF_Adobe_Illustrator_logo.jpg" alt="DF_Adobe_Illustrator_logo" width="616" height="328" /></p>
<p>Adobe Resources:</p>
<ul>
<li><a href="http://www.adobe.com/products/illustrator.html">Adobe Illustrator</a></li>
<li><a href="http://www.adobe.com/support/illustrator/gettingstarted/index.html">Illustrator &#8211; Getting Started </a></li>
<li><a href="http://tv.adobe.com/product/illustrator/">Adobe TV</a></li>
<li><a href="http://help.adobe.com/en_US/Illustrator/14.0/WSA062795C-1C55-4549-8F48-CA796D1800C4.html">Illustrator Video Tutorials</a></li>
<li><a href="http://forums.adobe.com/community/illustrator/">Illustrator User Forums</a></li>
<li><a href="http://www.adobe.com/products/illustrator/showcase.edu.html">Illustrator Showcase</a></li>
</ul>
<p>-</p>
<p>Adobe Video Workshops:</p>
<ul>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0031">Creating and setting up a new document</a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0284">Understanding important document settings</a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0032">Customizing the interface</a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0034">Selecting and manipulating objects</a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0035">Aligning and distributing objects</a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0040">Scaling, skewing and rotating objects</a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0058">Using the color guide</a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0036">Using the Line, Eraser, and shape tools </a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0037">Using the Pen tool</a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0041">Working with layers and groups</a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0050">Working with gradients and blends</a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0042">Using Live Paint</a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0062">Exporting Content</a></li>
<li><a href="http://www.adobe.com/designcenter-archive/video_workshop/?id=vid0063">Saving files for web</a></li>
</ul>
<p>-</p>
<p>Illustrator Tutorial Resources:</p>
<ul>
<li><a href="http://designmodo.com/adobe-illustrator-tutorials/">35+ Excellent Illustrator Tutorials</a></li>
<li><a href="http://www.smashingmagazine.com/2008/02/05/illustrator-tutorials-best-of/">Illustrator Tutorials &#8211; Best of</a></li>
<li><a href="http://vector.tutsplus.com/sessions/guides-to-illustrator-tools/">Guides to Illustrator Tools</a></li>
<li><a href="http://vector.tutsplus.com/tutorials/tools-tips/illustrators-pen-tool-the-comprehensive-guide/">Pen Tool &#8211; Comprehensive Guide</a></li>
<li><a href="http://webdesignledger.com/tutorials/22-very-useful-adobe-illustrator-tutorials">22 Very Useful Adobe Illustrator Tutorials</a></li>
<li><a href="http://youtu.be/lfUJGEQe9V8">Illustrator tools a beginner should master</a></li>
<li><a href="http://www.noupe.com/illustrator/adobe-illustrator-tutorials.html">30+ Fresh &amp; Useful Illustrator Tutorials &amp; Neat Tips</a></li>
<li><a href="http://vector.tutsplus.com/">Vector Tuts Plus</a></li>
<li><a href="http://layersmagazine.com/category/tutorials/illustrator">Layers Magazine &#8211; Illustrator</a></li>
</ul>
<p>-</p>
<p>Representation 2 &#8211; Week 07 &#8211; Tutorial Files:</p>
<p><a href="http://www.box.com/s/sj064q8er8yxdtbj161d">Rep2_Week07_Tutorial Files</a></p>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>LECTURE 12.03.1 Theoharis DAVID + Lebbeus WOODS</title>
		<link>http://www.digitalfutures.info/1/a-life-of-teaching-learning-and-action-theoharis-david-lebbeus-woods /</link>
		<comments>http://www.digitalfutures.info/1/a-life-of-teaching-learning-and-action-theoharis-david-lebbeus-woods /#comments</comments>
		<pubDate>Wed, 29 Feb 2012 16:34:49 +0000</pubDate>
		<dc:creator>AReitz</dc:creator>
				<category><![CDATA[-]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Research]]></category>
		<category><![CDATA[applied]]></category>
		<category><![CDATA[lecture]]></category>
		<category><![CDATA[theoretical]]></category>
		<category><![CDATA["A Life Of Teaching]]></category>
		<category><![CDATA["Built Ideas"]]></category>
		<category><![CDATA[and Action]]></category>
		<category><![CDATA[architecture]]></category>
		<category><![CDATA[Learning]]></category>
		<category><![CDATA[Lebbeus Woods]]></category>
		<category><![CDATA[Pratt Institute]]></category>
		<category><![CDATA[Theoharis David]]></category>

		<guid isPermaLink="false">http://www.digitalfutures.info/?p=1745</guid>
		<description><![CDATA[March 1st at 6pm, Pratt Professor Theoharis David will present ...]]></description>
			<content:encoded><![CDATA[<p><strong>March 1st at 6pm, Pratt Professor Theoharis David</strong> will present his lecture <strong>&#8220;A Life of Teaching, Learning and Action&#8221;</strong> with an introduction by famed architect, <strong>Lebbeus Woods</strong>. Following the lecture Professor David&#8217;s<strong> Exhibition &#8220;Built Ideas&#8221;</strong> will open in the Hazel and Robert Siegel Gallery with a reception. To see the catalogue for &#8220;Built Ideas” use the following link: <a title="This external link will open in a new window" href="http://www.built-ideas.info/" target="_blank">www.built-ideas.info</a> .</p>
<table style="margin-top: 0px; margin-right: 0px; margin-bottom: 1.4em; margin-left: 0px; border-image: initial; font-size: 11px; font-family: Verdana, Helvetica, Arial, sans-serif; vertical-align: baseline; border-collapse: collapse; -webkit-border-horizontal-spacing: 0px; -webkit-border-vertical-spacing: 0px; color: #444444; line-height: 16px; text-align: left; background-color: #f9f7f5; padding: 0px; border: 0px initial initial;" border="0" cellspacing="2" cellpadding="0" width="540">
<tbody style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">
<tr style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">
<td style="padding-top: 4px; padding-right: 10px; padding-bottom: 4px; padding-left: 0px; border-image: initial; font-style: inherit; font-family: inherit; vertical-align: bottom; border-bottom-style: initial; border-bottom-color: initial; margin: 0px; border: 0px initial initial;" colspan="3">
<div style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">
<h3 style="border-image: initial; font-weight: inherit; font-style: inherit; font-size: 1.4em; font-family: Actor, sans-serif; vertical-align: baseline; color: #3a1b07; padding: 0px; margin: 0px; border: 0px initial initial;">VIA : Pratt Institute</h3>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; border: 0px initial initial;">THEOHARIS DAVID</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; border: 0px initial initial;">M. Arch., Yale University;<br />
B.Arch., Pratt Institute</p>
<h3 style="border-image: initial; font-weight: inherit; font-style: inherit; font-size: 1.4em; font-family: Actor, sans-serif; vertical-align: baseline; color: #3a1b07; padding: 0px; margin: 0px; border: 0px initial initial;">Biography</h3>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; border: 0px initial initial;">Theo David is Professor of Architecture and former Graduate Architecture Chair, teaching graduate and undergraduate design. He is a Fellow of the American Institute of Architects, and maintains a practice in New York City and Nicosia, Cyprus. His architecture has received awards at local,state, national and international levels and his work as architect/educator has been exhibited and published internationally. Teaching &amp; Administrative Experience: 1968 Appointed School of Architecture Faculty, Pratt Institute; 1969 Appointed Assistant Professor, Pratt Institute Coordinator, Upper Program Design Curriculum; 1972 Originator and Director, Pratt in Greece Program; Associate, Workshop Environmental Design, Athens (<span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">WEDAG</span>); 1976-96 Originator and Program Director, Pratt in Greece/Cyprus International Study Program; 1979 Appointed Associate Professor, School of Architecture, Pratt Institute; 1979-89 Chairman Graduate Architecture, Pratt Institute; 1981 Established Pratt International in Cyprus; Co-authored joint graduate program between Pratt and Center for Planning and Architectural Studies, Cairo, Egypt; Negotiated educational exchange agreement between Republic of Cyprus and Pratt Institute; Appointed All Institute Curriculum Committee; 1983 Appointed Professor of Architecture, Pratt Institute; 1984 Acting Chairman of Faculty Affairs, Pratt Institute; 1986-87 Chairman Committee on Physical Plant, Pratt Institute; 1987 Developed Comprehensive Plan, Renovation School of Architecture, Pratt Institute; Coordinator Urban Elements, Summer Design Program; 1988-90 International Students Advisory Committee, Pratt Institute; 1989-92 Education Committee Board of Trustees, Pratt Institute; 1990 Member, Dean Search Committee, Pratt Institute; 1990-92 Faculty Coordinating Council, School of Architecture, Pratt Institute; 1992 School <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">NAAB</span> Accreditation Committee; 1993 Awarded Tenure as Full Professor, Pratt Institute; 1993-95 Student Affairs Committee Board of Trustees, Pratt Institute; Chairman Faculty Affairs, School of Architecture, Pratt Institute; 1996-97 Coordinator, Undergraduate Thesis, School of Architecture, Pratt Institute; 1998-2002 President of the Faculty, School of Architecture, Pratt Institute; 2005 Appointed Visiting Professor, University of Cyprus, Department of Architecture; 2005-present Chairman, Advisory Committee, Department of Architecture, University of Cyprus; 2006-2009 Visiting Critic, Metropolis Program, University of Catalonia, Barcelona; 2008 Elected Faculty Senate Professional and/or Research Experience: Theo. David, Consultant Architect/Planner, Nicosia, Cyprus, principal Theo. David Architects, New York City &amp; Nicosia, Cyprus, principal Awards and/or Fellowships: 1982 New York State Council on the Arts, Grant; 1983 Pratt Research Council, Grant; 1988 Interior Design Award Architecture <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">AIA</span> Journal, Total Eclipse, New York City; 1992 Bard Honor Award, City Club of New York, Bethelite Institutional Baptist Church; 1993 Citation, Design Excellence, <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">AIA</span>/New York State Association of Architects Bethelite Institutional Baptist Church; First Prize, Architectural Design Competition, with <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">KAL</span> Engineering, G.S.P. Stadium, Nicosia, Cyprus; 1994 Project Award, Architects Designers + Planners for Social Responsibility, Bethelite Institutional Baptist Church, New York City; 1995 Honorable Mention, Cyprus State Awards for Architecture, Laiki Residential Training Centre, Cyprus; 1996 Elected College of Fellows, American Institute of Architects; Fellow, Institute for Urban Design, <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">NYC</span>; 2000 First Prize, Architectural Design Competition, Limassol Sports Arena, Cyprus; 2001 Cyprus State Award for Architecture, G.S.P. Pancypria Stadium, Cyprus; Nominee European Union Mies van der Rohe Award; Faculty Development Grant, Pratt Institute Selected Publications: “Annual Interiors Award”, Architecture <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">AIA</span> Journal (1987); “New York Architecture”, Volume I (1988); “New York Architecture”, Volume 2, Editor (1989); “New York Architecture”, Volume 3, Introduction (1990); “Interior Design”, September 1990; “Architectural Record”, April 1991; “Houses &amp; Gardens in the City”, <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">ADPSR</span> New York, (1991); “Spirituality &amp; Technology”, Interchange, College of Environmental Design, Cal Poly, Pomona, CA (1991); “Message for the 90’s, An Architecture of Violence” Architektoniki Magazine, January-February 1992, Cyprus; “Contract Design”, November 1994; “Architecture in Greece”, 1996 Annual Review; “<span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">AIARCHITECT</span>” 1997 issue; “Oculus” <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">NYC</span>/AIA (1997); “International Architecture Yearbook” Vol. 5 (1999); “<span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">AIA</span> Guide / New York City Architecture”, 4th Edition (1999); “Panstadia International”, England (2000); “Oculus”, <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">NYC</span>/AIA (2000); “<span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">OCT</span>Ο<span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">GON</span>Arhitectură &amp; Design”, Romania (2001); “Sporting Spaces: A Pictorial Review, Volume 2” (2003); “Ten Years of Architectural Competitions”, Cyprus Architects Association (2004); “Architecture in Greece”, Annual Review 42/2008; “New York 2000” R.A.M. Stern; numerous Yale University and Pratt Institute publications. Selected Lectures: “Contemporary Third World Architecture/Search for Identity”, Symposium, Urban Center, <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">NYC</span>, speaker &amp; moderator (1983); “Modern Architecture, Development &amp; Third World Countries” Pratt Institute, NY (1983); “Regionalism in Contemporary Architecture” Rowlett Lecture, Texas A&amp;M University (1984); “Hunters Point Development: Future Directions” <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">NYC</span>/APA <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">CUNY</span>Graduate Center, <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">NYC</span>, panelist &amp; moderator (1985); “Reviving the Heart of a City Divided by Political Violence/Nicosia” (1988); Making Cities Livable Conference, Charleston, South Carolina (1988); “Spirituality &amp; Technology” <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">ACSA</span>/European Schools of Architecture International Conference, Athens, Greece (1990); “Style for the 90’s, An Aesthetic of Violence” <span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">ACSA</span>/EAAE Conference, Paris, France (1991); “Reciprocal Vista for Park Avenue” Pratt re: Pratt, Lecture Series, Brooklyn, NY (1992); “Message from New York: Tendencies in Architectural Education” Cyprus Architects Association, Nicosia, Cyprus (1992); “Spirituality &amp; Technology” Hellenic Bank Cultural Centre, Limassol, Cyprus (1993); “The Architecture of Violence / Axis New York Nicosia” National Technical University, Athens, Greece (1996); “Cyprus Architecture and the 21st Century” Cyprus House, New York (2003); “Sources of Creativity History, Science and Art” Famagusta Gate Cultural Center, Nicosia, Cyprus (2003); “Drawing and Building” School of Architecture, Pratt Institute, NY (2004); “Defining Sustainability: Cyprus / Past and Future” Symposium: The Challenge of Sustainable Development, Cyprus International Institute for the Environment and Public Health in Association with Harvard School of Public Health, International Conference Center, Nicosia, Cyprus (2005); “Modern+ The Rise of the Modern in the 21st Century” 2005 China (Shanghai) International Cultural Exchange, Shanghai, China; “Drawing Architecture” Center for Contemporary Culture (<span style="border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">CCCB</span>) Barcelona, Spain (2006)</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; border: 0px initial initial;">LEBBEUS WOODS</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; border: 0px initial initial;">VIA: Wikipedia</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; border-image: initial; font-style: inherit; font-family: inherit; vertical-align: baseline; padding: 0px; border: 0px initial initial;"><span style="font-style: inherit; font-family: sans-serif; color: #444444;">Woods studied architecture at the </span><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="University of Illinois" href="http://en.wikipedia.org/wiki/University_of_Illinois">University of Illinois</a><span style="font-style: inherit; font-family: sans-serif; color: #444444;"> and engineering at </span><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Purdue University" href="http://en.wikipedia.org/wiki/Purdue_University">Purdue University</a><span style="font-style: inherit; font-family: sans-serif; color: #444444;"> and first worked in the offices of </span><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Eero Saarinen" href="http://en.wikipedia.org/wiki/Eero_Saarinen">Eero Saarinen</a><span style="font-style: inherit; font-family: sans-serif; color: #444444;">, but in 1976 turned exclusively to theory and experimental projects.</span><sup><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; white-space: nowrap; background-position: initial initial; background-repeat: initial initial;" href="http://en.wikipedia.org/wiki/Lebbeus_Woods#cite_note-1">[2]</a></sup><span style="font-style: inherit; font-family: sans-serif; color: #444444;"> He has designed buildings in</span><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Chengdu" href="http://en.wikipedia.org/wiki/Chengdu">Chengdu</a><span style="font-style: inherit; font-family: sans-serif; color: #444444;">, </span><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="China" href="http://en.wikipedia.org/wiki/China">China</a><span style="font-style: inherit; font-family: sans-serif; color: #444444;"> and </span><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Havana" href="http://en.wikipedia.org/wiki/Havana">Havana</a><span style="font-style: inherit; font-family: sans-serif; color: #444444;">, </span><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Cuba" href="http://en.wikipedia.org/wiki/Cuba">Cuba</a><span style="font-style: inherit; font-family: sans-serif; color: #444444;">.</span><sup><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; white-space: nowrap; background-position: initial initial; background-repeat: initial initial;" href="http://en.wikipedia.org/wiki/Lebbeus_Woods#cite_note-2">[3]</a></sup><span style="font-style: inherit; font-family: sans-serif; color: #444444;"> In 1988, Woods co-founded the Research Institute for </span><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Experimental Architecture" href="http://en.wikipedia.org/wiki/Experimental_Architecture">Experimental Architecture</a><span style="font-style: inherit; font-family: sans-serif; color: #444444;">, a nonprofit institution devoted to the advancement of experimental architectural thought and practice while promoting the concept and perception of architecture itself.</span></p>
<p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; font-family: sans-serif;">He is currently a professor of architecture at the <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Cooper Union" href="http://en.wikipedia.org/wiki/Cooper_Union">Cooper Union</a> in New York City and at the <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="European Graduate School" href="http://en.wikipedia.org/wiki/European_Graduate_School">European Graduate School</a> in <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Saas-Fee" href="http://en.wikipedia.org/wiki/Saas-Fee">Saas-Fee</a>, <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Switzerland" href="http://en.wikipedia.org/wiki/Switzerland">Switzerland</a>.<sup><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; white-space: nowrap; background-position: initial initial; background-repeat: initial initial;" href="http://en.wikipedia.org/wiki/Lebbeus_Woods#cite_note-egs-0">[1]</a></sup></p>
<p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; font-family: sans-serif;">The majority of his explorations deal with the design of systems in crisis: the order of the existing being confronted by the order of the new. His designs are politically charged and provocative visions of a possible reality; provisional, local, and charged with the investment of their creators. He is best known for his proposals for San Francisco, Havana, and Sarajevo that were included in the publication of <em>Radical Reconstruction</em> in 1997 (Sarajevo after the war, Havana in the grips of the ongoing trade embargo, and San Francisco after the <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Loma Prieta earthquake" href="http://en.wikipedia.org/wiki/Loma_Prieta_earthquake">Loma Prieta earthquake</a>).</p>
<blockquote style="font-family: sans-serif;">
<p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; line-height: 1.5em;">Architecture and war are not incompatible. Architecture is war. War is architecture. I am at war with my time, with history, with all authority that resides in fixed and frightened forms. I am one of millions who do not fit in, who have no home, no family, no doctrine, no firm place to call my own, no known beginning or end, no &#8220;sacred and primordial site.&#8221; I declare war on all icons and finalities, on all histories that would chain me with my own falseness, my own pitiful fears. I know only moments, and lifetimes that are as moments, and forms that appear with infinite strength, then &#8220;melt into air.&#8221; I am an architect, a constructor of worlds, a sensualist who worships the flesh, the melody, a silhouette against the darkening sky. I cannot know your name. Nor you can know mine. Tomorrow, we begin together the construction of a city.<sup><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; white-space: nowrap; background-position: initial initial; background-repeat: initial initial;" href="http://en.wikipedia.org/wiki/Lebbeus_Woods#cite_note-3">[4]</a>
<a href='http://www.digitalfutures.info/1/a-life-of-teaching-learning-and-action-theoharis-david-lebbeus-woods /attachment/theoharis-david-2/' title='Theoharis David'><img width="150" height="150" src="http://www.digitalfutures.info/wp-content/uploads/2012/02/Theoharis-David1-150x150.jpg" class="attachment-thumbnail" alt="" title="Theoharis David" /></a>
<a href='http://www.digitalfutures.info/1/a-life-of-teaching-learning-and-action-theoharis-david-lebbeus-woods /attachment/lebbeus-woods/' title='LEBBEUS WOODS'><img width="150" height="150" src="http://www.digitalfutures.info/wp-content/uploads/2012/02/LEBBEUS-WOODS-150x150.jpg" class="attachment-thumbnail" alt="" title="LEBBEUS WOODS" /></a>
<a href='http://www.digitalfutures.info/1/a-life-of-teaching-learning-and-action-theoharis-david-lebbeus-woods /attachment/theoharis-david/' title='Theoharis David'><img width="150" height="150" src="http://www.digitalfutures.info/wp-content/uploads/2012/02/Theoharis-David-150x150.jpg" class="attachment-thumbnail" alt="" title="Theoharis David" /></a>
</p>
<p></sup></p>
<p><span style="font-style: inherit; color: #444444;">Woods, who envisions experimental constructs and environments, has stated, &#8220;the interplay of metrical systems establishing boundaries of materials and energetic forms is the foundation of a universal science (universcience) whose workers include all individuals&#8221;.</span><sup>[<em><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Wikipedia:Quotations" href="http://en.wikipedia.org/wiki/Wikipedia:Quotations"><span title="The text in the vicinity of this tag needs citation from January 2009">cite this quote</span></a></em>]</sup></p></blockquote>
</div>
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		<title>Parametrics: Grasshopper Workshop</title>
		<link>http://www.digitalfutures.info/1/parametrics-grasshopper-workshop /</link>
		<comments>http://www.digitalfutures.info/1/parametrics-grasshopper-workshop /#comments</comments>
		<pubDate>Fri, 24 Feb 2012 18:49:46 +0000</pubDate>
		<dc:creator>SMisiurek</dc:creator>
				<category><![CDATA[-]]></category>
		<category><![CDATA[Computation]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[parametric]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://www.digitalfutures.info/?p=1729</guid>
		<description><![CDATA[
Digital Futures Workshop Series
Pratt Institute
School of Undergraduate Architecture


Parametrics
Location- HHS 111
Date ...]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-1730" title="df-grasshopper-002" src="http://www.digitalfutures.info/wp-content/uploads/2012/02/df-grasshopper-002.jpg" alt="df-grasshopper-002" width="575" height="314" /></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-weight: inherit; font-style: inherit; font-size: 12px; font-family: inherit; vertical-align: baseline; font: normal normal normal 12px/normal Arial; color: #333233; padding: 0px; border: 0px initial initial;"><strong>Digital Futures Workshop Series</strong></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-weight: inherit; font-style: inherit; font-size: 12px; font-family: inherit; vertical-align: baseline; font: normal normal normal 12px/normal Arial; color: #333233; padding: 0px; border: 0px initial initial;"><strong>Pratt Institute</strong></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-weight: inherit; font-style: inherit; font-size: 12px; font-family: inherit; vertical-align: baseline; font: normal normal normal 12px/normal Arial; color: #333233; padding: 0px; border: 0px initial initial;"><strong>School of Undergraduate Architecture</strong></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-weight: inherit; font-style: inherit; font-size: 12px; font-family: inherit; vertical-align: baseline; font: normal normal normal 12px/normal Arial; color: #333233; padding: 0px; border: 0px initial initial;"><strong><br />
</strong></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-weight: inherit; font-style: inherit; font-size: 12px; font-family: inherit; vertical-align: baseline; font: normal normal normal 12px/normal Arial; color: #333233; padding: 0px; border: 0px initial initial;"><strong>Parametrics</strong></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-weight: inherit; font-style: inherit; font-size: 12px; font-family: inherit; vertical-align: baseline; font: normal normal normal 12px/normal Arial; color: #333233; padding: 0px; border: 0px initial initial;"><strong>Location-</strong> HHS 111</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-weight: inherit; font-style: inherit; font-size: 12px; font-family: inherit; vertical-align: baseline; font: normal normal normal 12px/normal Arial; color: #333233; padding: 0px; border: 0px initial initial;"><strong>Date + Time- </strong>2012.02.25, 2-6pm</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-weight: inherit; font-style: inherit; font-size: 12px; font-family: inherit; vertical-align: baseline; font: normal normal normal 12px/normal Arial; color: #333233; padding: 0px; border: 0px initial initial;"><strong>Conductor</strong>-  Sebastian Misiurek + Scott Sorenson</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-weight: inherit; font-style: inherit; font-size: 12px; font-family: inherit; vertical-align: baseline; font: normal normal normal 12px/normal Arial; color: #333233; padding: 0px; border: 0px initial initial;"><strong>Requirements- </strong>Participants are required to bring a laptop with the latest service release of <em>Rhino 4.0 </em>and download the latest Grasshopper build prior to the workshop. The latest build can be found at www.grasshopper3d.com.</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-weight: inherit; font-style: inherit; font-size: 12px; font-family: inherit; vertical-align: baseline; font: normal normal normal 12px/normal Arial; color: #333233; padding: 0px; border: 0px initial initial;"><span style="font-family: Helvetica; color: #000000;"><span style="font-weight: inherit; font-style: inherit; font-size: 12px; font-family: inherit; vertical-align: baseline; font: normal normal normal 12px/normal Arial; color: #333233; padding: 0px; margin: 0px; border: 0px initial initial;"><strong>Description</strong>- </span>This workshop will serve both as an introduction and intermediate exposure to Grasshopper - a generative modeling plug-in for Rhino. It will cover the development, conceptual basis, and open up the contemporary practices of the software. This workshop will be geared toward people who have little to no experience with the software and/or are interested in the multipronged application of the software from a number of various approaches.</span></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-weight: inherit; font-style: inherit; font-size: 12px; font-family: inherit; vertical-align: baseline; font: normal normal normal 12px/normal Helvetica; padding: 0px; border: 0px initial initial;"><strong>Downloads</strong><span style="font-weight: inherit;">- </span><span style="font-weight: inherit;"><strong><a href="http://www.box.com/s/2u2kxbu16jpsdbxb0uv5">DF_Parametrics_Sp12_0225_Files</a> &#8211; </strong></span> (please download them before the start of the workshop).</p>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 442px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">This workshop will serve both as an introduction and intermediate exposure to Grasshopper</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 442px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">- a generative modeling plug-in for Rhino. It will cover the development, conceptual basis, and open up the contemporary practices of the software. This workshop will be geared toward people who have little to no experience with the software and/or are interested in the multipronged application of the software from a number of various approaches.</div>
]]></content:encoded>
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		<item>
		<title>Lecture 12.02.23: CRAIG DYKERS</title>
		<link>http://www.digitalfutures.info/1/lecture-12-02-23-craig-dykers /</link>
		<comments>http://www.digitalfutures.info/1/lecture-12-02-23-craig-dykers /#comments</comments>
		<pubDate>Thu, 23 Feb 2012 23:33:27 +0000</pubDate>
		<dc:creator>AReitz</dc:creator>
				<category><![CDATA[-]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[lecture]]></category>
		<category><![CDATA[pratt]]></category>

		<guid isPermaLink="false">http://www.digitalfutures.info/?p=1723</guid>
		<description><![CDATA[
Please note that CRAIG DYKERS LECTURE is scheduled for this ...]]></description>
			<content:encoded><![CDATA[<p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; font-family: sans-serif;">
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Please note that CRAIG DYKERS LECTURE is scheduled for this evening, Thursday, February 23rd at 6pm in the Higgins Hall Auditorium.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">A founder of Snohetta Architects, one of the fastest growing firms in the world, Craig Dykers will lecture on his and the firm&#8217;s latest projects. This lecture is sponsored in part by the Arnold Syrop (B. Arch &#8216;61) and Joanne Syrop Lecture Series Endowed by the Selz Foundation.</div>
<p><img class="alignnone size-full wp-image-1725" title="OsloOperaHouseNorway-ErikBerg" src="http://www.digitalfutures.info/wp-content/uploads/2012/02/OsloOperaHouseNorway-ErikBerg1.jpg" alt="OsloOperaHouseNorway-ErikBerg" width="560" height="303" /></p>
<p>Please note that CRAIG DYKERS LECTURE is scheduled for this evening, Thursday, February 23rd at 6pm in the Higgins Hall Auditorium.</p>
<p>A founder of Snohetta Architects, one of the fastest growing firms in the world, Craig Dykers will lecture on his and the firm&#8217;s latest projects. This lecture is sponsored in part by the Arnold Syrop (B. Arch &#8216;61) and Joanne Syrop Lecture Series Endowed by the Selz Foundation.</p>
<p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; font-family: sans-serif;">Via wikipedia</p>
<p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; font-family: sans-serif;"><strong>Craig Edward Dykers</strong> is an <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Architect" href="http://en.wikipedia.org/wiki/Architect">architect</a>. He was born in <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Frankfurt, Germany" href="http://en.wikipedia.org/wiki/Frankfurt,_Germany">Frankfurt, Germany</a> in 1961 and has lived in Europe and North America. Dykers received a Bachelor degree in Architecture at the <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="University of Texas School of Architecture" href="http://en.wikipedia.org/wiki/University_of_Texas_School_of_Architecture">University of Texas at Austin</a> after studies in medicine and art.</p>
<p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; font-family: sans-serif;">Dykers has worked in <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Texas" href="http://en.wikipedia.org/wiki/Texas">Texas</a> and <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="California" href="http://en.wikipedia.org/wiki/California">California</a> and later co-founded the architecture, landscape and interior design company of <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Snøhetta (company)" href="http://en.wikipedia.org/wiki/Sn%C3%B8hetta_(company)">Snøhetta arkitektur landskap AS</a> in <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Oslo" href="http://en.wikipedia.org/wiki/Oslo">Oslo</a>, <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Norway" href="http://en.wikipedia.org/wiki/Norway">Norway</a> in 1989 and in <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="New York City" href="http://en.wikipedia.org/wiki/New_York_City">New York City</a> in 2004. He worked with the design of several projects including the <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Alexandria Library" href="http://en.wikipedia.org/wiki/Alexandria_Library">Alexandria Library</a> in <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Egypt" href="http://en.wikipedia.org/wiki/Egypt">Egypt</a>, the <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Norwegian National Opera" href="http://en.wikipedia.org/wiki/Norwegian_National_Opera">Norwegian National Opera</a> in Oslo, and the National September 11 Memorial Museum at the<a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="World Trade Center" href="http://en.wikipedia.org/wiki/World_Trade_Center">World Trade Center</a> site in NYC. Other projects included the <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Lillehammer" href="http://en.wikipedia.org/wiki/Lillehammer">Lillehammer</a> <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Winter Olympics" href="http://en.wikipedia.org/wiki/Winter_Olympics">Winter Olympics</a> Art Museum and the Norwegian <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Embassy" href="http://en.wikipedia.org/wiki/Embassy">Embassy</a> in <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Berlin" href="http://en.wikipedia.org/wiki/Berlin">Berlin</a>.<sup><a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; white-space: nowrap; background-position: initial initial; background-repeat: initial initial;" href="http://en.wikipedia.org/wiki/Craig_Dykers#cite_note-0">[1]</a></sup></p>
<p style="margin-top: 0.4em; margin-right: 0px; margin-bottom: 0.5em; margin-left: 0px; font-family: sans-serif;">Active professionally and academically, Craig has been a member of the <a style="text-decoration: none; color: #a55858; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Norwegian Architecture Association (page does not exist)" href="http://en.wikipedia.org/w/index.php?title=Norwegian_Architecture_Association&amp;action=edit&amp;redlink=1">Norwegian Architecture Association</a> (NAL), the <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="American Institute of Architects" href="http://en.wikipedia.org/wiki/American_Institute_of_Architects">American Institute of Architects</a> (AIA), and is a <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Fellow" href="http://en.wikipedia.org/wiki/Fellow">Fellow</a> of the <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="Royal Society of Arts" href="http://en.wikipedia.org/wiki/Royal_Society_of_Arts">Royal Society of Arts</a> in England. He has been the Diploma Adjudicator at the Architectural College in Oslo and has been a Distinguished Professor at <a style="text-decoration: none; color: #0b0080; background-image: none; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: initial; background-position: initial initial; background-repeat: initial initial;" title="City College of New York" href="http://en.wikipedia.org/wiki/City_College_of_New_York">City College</a> in New York City. He has lectured extensively in Europe, Asia and the Americas. In addition Dykers has been commissioned to complete installation art projects in public spaces, many of which focused on the notion of context, nature and human nature.</p>
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		<title>Site Strategies 01: Topography Modeling + Fabrication</title>
		<link>http://www.digitalfutures.info/1/site-strategies-01-topography-modeling-fabrication /</link>
		<comments>http://www.digitalfutures.info/1/site-strategies-01-topography-modeling-fabrication /#comments</comments>
		<pubDate>Thu, 16 Feb 2012 21:28:36 +0000</pubDate>
		<dc:creator>SMisiurek</dc:creator>
				<category><![CDATA[-]]></category>
		<category><![CDATA[Fabrication]]></category>
		<category><![CDATA[Technology]]></category>
		<category><![CDATA[prototyping]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://www.digitalfutures.info/?p=1708</guid>
		<description><![CDATA[
Digital Futures Workshop Series
Pratt Institute
School of Undergraduate Architecture

Site Strategies 01 ...]]></description>
			<content:encoded><![CDATA[<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Arial; color: #333233;"><img class="alignnone size-full wp-image-1711" title="Arch202_Site_Image" src="http://www.digitalfutures.info/wp-content/uploads/2012/02/Arch202_Site_Image.jpg" alt="Arch202_Site_Image" /></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Arial; color: #333233;"><strong>Digital Futures Workshop Series</strong></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Arial; color: #333233;"><strong>Pratt Institute</strong></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Arial; color: #333233;"><strong>School of Undergraduate Architecture</strong></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Arial; color: #333233; min-height: 14px;">
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Arial; color: #333233;"><strong>Site Strategies 01 &#8211; Topography Modeling and Fabrication</strong></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Arial; color: #333233;"><strong>Location-</strong> HHS 111</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Arial; color: #333233;"><strong>Date + Time- </strong>2012.02.16, 6:30-8:30pm</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Arial; color: #333233;"><strong>Conductor</strong>-  Sebastian Misiurek</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Arial; color: #333233;"><strong>Requirements- </strong>Participants are required to bring a laptop with <em>Rhino 4.0 (SR8)</em>.</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Helvetica;"><span style="font: normal normal normal 12px/normal Arial; color: #333233;"><strong>Description</strong>- This workshop will serve as an intermediate lesson in developing surfaces in Rhino 4 with a focus on the site model and topography.  Participants will be exposed to differing approaches to generating surfaces with a focus on the particulars of continuity and curvature.  Topics covered will include lofting, sweeping, patching, creasing, and blending with in-depth tutorials on digital topography creation/manipulation and generating layouts for a laser cut site model.  Emphasis will be placed on creating a procedural understanding of generating and managing surfaces and polysurfaces in Rhino and preparing them for digital fabrication.</span></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;"><strong>Generating Site Topography</strong></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;">-Importing/Tracing a site drawing</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;">-Extracting Loft Curves to generate Surface</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;">-Generate the surface, resolving issues/inconsistencies</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;">-Adding Detail: Roads, Existing Buildings, Landscape Elements</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;">-Workshop Tutorial #1: <em>Creating the digital site model</em></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;"><strong>Generating Content from a Digital Site Model</strong></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;">-Generating a site drawing, the contour command</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;">-Creating a laser file for a site model.</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;">-Workshop Tutorial #2: <em>Creating Site drawings and laser files from a digital site model</em></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;"><span style="font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">-Intersecting a surface with a X and Y grid of struts</span></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;"><span style="font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;">-Trimming out the intersections</span></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;">-Flattening the newly generated lines to create lasercut templates</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font-size: 12px; font-family: Arial, Helvetica, sans-serif; vertical-align: baseline; color: #333333; padding: 0px; border: 0px initial initial;"><em>-Workshop Tutorial #3: </em><span style="font-family: inherit; vertical-align: baseline; padding: 0px; margin: 0px; border: 0px initial initial;"><em>Generate a waffle / egg crate model of the site</em></span></p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Arial; color: #333233;"><strong>Downloads</strong>:</p>
<p style="margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; font: normal normal normal 12px/normal Arial; color: #333233;">Workshop files &#8211; <a href="http://www.box.com/s/fh48m8s7ctpkmrg820up">DF_SiteStrategies01_Sp12_Arch202</a></p>
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		<title>Lecture 12.02.13: Ursula Von Rydingsvard</title>
		<link>http://www.digitalfutures.info/1/lecture-12-02-13-ursula-von-rydingsvard /</link>
		<comments>http://www.digitalfutures.info/1/lecture-12-02-13-ursula-von-rydingsvard /#comments</comments>
		<pubDate>Thu, 09 Feb 2012 05:48:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
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		<guid isPermaLink="false">http://www.digitalfutures.info/?p=1680</guid>
		<description><![CDATA[
URSULA Von RYDINGSVARD LECTURE
FEBRUARY 13, 2012 6PM
HIGGINS HALL AUDITORIUM
On Monday ...]]></description>
			<content:encoded><![CDATA[<p><a href="http://www.digitalfutures.info/wp-content/uploads/2012/02/Ursula-Von-Rydingsvard4.jpg"><img class="alignnone size-full wp-image-1694" title="Ursula-Von-Rydingsvard4" src="http://www.digitalfutures.info/wp-content/uploads/2012/02/Ursula-Von-Rydingsvard4.jpg" alt="Ursula-Von-Rydingsvard4" width="560" height="651" /></a></p>
<p><strong>URSULA Von RYDINGSVARD LECTURE</strong></p>
<p><strong>FEBRUARY 13, 2012 6PM</strong></p>
<p><strong>HIGGINS HALL AUDITORIUM</strong></p>
<p>On Monday night, February 13, 2012 at 6PM in the Higgins Hall Auditorium, the School of Architecture will host world- renowned sculptor <a href="http://www.ursulavonrydingsvard.net/" target="_blank">Ursula Von Rydingsvard</a>. Working almost exclusively in wood for over three decades, Ms. Von Rydingsvard has established a body of work that crosses the disciplines of art, architecture, and design. Her work is exhibitied in museums and galleries around the world, and her sculptures have been incorporated into important public spaces, builidings, and landscapes in collaboration with some of the world’s most important designers. This lecture has special significance for artists, architects, and designers interested in the work of an important artist breaking the established boundaries and disciplines of art and architecture.</p>
<p><a href="http://www.digitalfutures.info/wp-content/uploads/2012/02/Ursula-Von-Rydingsvard3.jpg"><img class="alignnone size-full wp-image-1693" title="Ursula-Von-Rydingsvard3" src="http://www.digitalfutures.info/wp-content/uploads/2012/02/Ursula-Von-Rydingsvard3.jpg" alt="Ursula-Von-Rydingsvard3" width="560" height="374" /></a></p>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 608px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Ursula von Rydingsvard&#8217;s Blackened Word, 2008, an enormous, rippling accumulation of cedar and graphite, brings to mind the ruins of Angkor Wat as they appear in the final scene of Wong Kar-wai&#8217;s 2000 film, In the Mood for Love, which finds the heartbroken hero whispering something into a crack in a decaying wall, seeming almost to want to hide in it. Blackened Word unfolds as one walks around it, a hulking shape irregularly darkened with graphite and cleft with creases, dips, and fjords, some roomy enough to accommodate an arm or a small torso, some just big enough for a probing finger, or less. The artist based the structure on an elderly woman&#8217;s shaky handwriting, an enlarged sample of which she laid on the floor and built up from two dimensions into three, providing another sort of whispering, a kind of encoding: a landscape that contains language but does not itself speak.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 608px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Von Rydingsvard is very deft with the work&#8217;s paradoxes&#8211;monumental but ravages, monolithic but modular, eloquent but mute&#8211;and as a result Blackened Word created a real impression of opposed energies, of being pushed and pulled at once. This is a perceptible sense of movement, which is surprising in a piece as elemental and large as this one and forms a vivid contrast with and stolid Minimalist qualities one might be tempted to detect. (It is telling how much contemporary sculpture by women still seems to have a bone to pick with Minimalism&#8211;dissecting it, softening it, showing what has slipped through its rigid lines. Von Rydingsvard takes apart the idea of the big form without making a joke about it, in contrast with Orly Genger&#8217;s willy Reg Versus Fans, 2009, in which a massive pile of painted rope requires, like some obese diplomat in a hot country, four fans to keep it from overheating.) Of the minimalists, von Rydingsvard said in 2007 that she loved their use of materials and repetition but &#8220;their philosophies seemed so cleansed of any kind of sensuality, so controlled, that they drove me nuts.&#8221;</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 608px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">The sensuality in these sculptures is earthbound but not gentle, comprising another paradox in the deep sense of a natural material being made to do the artist&#8217;s bidding in works that still have a natural feel; a distinctive cedar scent seems part of the lively struggle, evidence both of the wood being mastered and of the triumph of its physical qualities. Unraveling, 2007, is a large work that hangs on a wall, dripping and looping down in a most unwoodlike fashion from one corner toward another, pausing in forms that resemble baskets or barnacles. It looms over the viewer like something from a jungle. Droga, 2009, is a hollow tubelike structure, made, like Blackened Word, from pieces of cedar meticulously assembled, here with a more pronounced feeling of something taken apart and then reassembled in a slightly skewed manner: At first glance the work appears to be a large piece of felled first growth. Seen from different angles, however, its likenesses become more fleeting, with perspective and scale changing in an instant: a crouching animal, a grotto, an uninviting maw, a landscape of rocks stepping down into a water like a Giant&#8217;s Causeway on the coast of Northern Ireland. Von Rydingsvard&#8217;s canny deployment of holes in Droga&#8217;s top makes for a very few patches of light that provide shape and perspective within the hollow structure but do nothing to delineate its details. Like Blackened Word, Droga is a container, a repository&#8211;but also a mystery, exploiting all the metaphoric possibilities of its material without being too literal.</div>
<p>Ursula von Rydingsvard born in Deensen, Germany (1942 -) is a sculptor who has been working in Brooklyn, New York for the past 30 years. She received her MFA from Columbia University in 1975 after which time she started to work with cedar, a material through which she has explored a wide range of images.</p>
<p>Von Rydingsvard is best known for creating large-scale, often monumental sculpture from the cedar beams which she painstakingly cuts, assembles, and laminates, finally rubbing powdered graphite into the work&#8217;s textured, faceted surfaces. She deliberately uses cedar boards milled into 4&#8243; by 4&#8243; widths with varied lengths which create a neutrality or &#8220;blank canvas&#8221; which enables her to dip into many different possibilities often within the arena of the psychological and emotional. As von Rydingsvard explains this approach: &#8220;If I were to say how it is that I break the convention of sculpture (and I&#8217;m not sure that&#8217;s what I do or even if that&#8217;s what I want to do), it would be by climbing into the work in a way that’s highly personal, that I can claim as being mine. The more mine it is, the more I’m able to break the convention.&#8221;[1] Her signature abstract shapes refer to things in the real world, each revealing the mark of the human hand while also summoning natural forms and forces. These forms typically include simple vessels and bowls; many suggest tools or other artifacts such as shovels, spoons and fences, or allude to primitive dwellings, geological formations, the landscape, or the body.</p>
<p><a href="http://www.digitalfutures.info/wp-content/uploads/2012/02/Ursula-Von-Rydingsvard2.jpg"><img class="alignnone size-full wp-image-1692" title="Ursula-Von-Rydingsvard2" src="http://www.digitalfutures.info/wp-content/uploads/2012/02/Ursula-Von-Rydingsvard2.jpg" alt="Ursula-Von-Rydingsvard2" width="560" height="373" /></a></p>
<p><a href="http://www.digitalfutures.info/wp-content/uploads/2012/02/Ursula-Von-Rydingsvard-1-.jpg"><img class="alignnone size-full wp-image-1691" title="Ursula-Von-Rydingsvard-1-" src="http://www.digitalfutures.info/wp-content/uploads/2012/02/Ursula-Von-Rydingsvard-1-.jpg" alt="Ursula-Von-Rydingsvard-1-" width="560" height="294" /></a></p>
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		<title>Lecture 11.11.17: Patrik Schumacher</title>
		<link>http://www.digitalfutures.info/1/lecture-11-11-17-patrik-schumacher /</link>
		<comments>http://www.digitalfutures.info/1/lecture-11-11-17-patrik-schumacher /#comments</comments>
		<pubDate>Thu, 17 Nov 2011 18:52:08 +0000</pubDate>
		<dc:creator>GLeMaire</dc:creator>
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		<category><![CDATA[architecture]]></category>
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		<category><![CDATA[Parametrics]]></category>
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		<guid isPermaLink="false">http://www.digitalfutures.info/?p=1669</guid>
		<description><![CDATA[
Patrik Schumacher, architect and director of Zaha Hadid Architects in ...]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-1672" style="border-style: initial; border-color: initial;" title="patrikschumacher" src="http://www.digitalfutures.info/wp-content/uploads/2011/11/patrikschumacher.png" alt="patrikschumacher" /></p>
<p><strong>Patrik Schumacher, </strong>architect and director of <strong>Zaha Hadid Architects in London</strong>, will be giving a lecture this <strong>Thursday, November 17th at 6pm in the Higgins Hall Auditorium</strong> with Ms. Hadid in attendance. Besides the internationally acclaimed work he has done assisting with Ms. Hadid’s work, his individual projects have snapped up awards around the world as well. Closing out the School of Architecture’s lecture series for the semester and the year, Mr. Schumacher is not to be missed.</p>
<p><img class="aligncenter size-full wp-image-1671" title="maxxi" src="http://www.digitalfutures.info/wp-content/uploads/2011/11/maxxi.jpg" alt="maxxi" width="900" height="451" /></p>
<p><strong>Profile:</strong></p>
<p>Patrik has been with our practice since 1988. He is company director and our Senior Designer, involved alongside Zaha Hadid herself in all projects we undertake. He maintains an active role in the development throughout the design phases.</p>
<p><strong>Education:</strong></p>
<p>Patrik studied architecture at the University of Stuttgart and at the SOuthbank University in London. He completed his architectural diploma and received his degree Dipl Ing from Stuttgart University in 1990. He also studied philosophy at Bonn and London Universities. In 1999, he received his PhD at the Institute for Cultural Sciences at the University of Klagenfurt.</p>
<p>^<a href="http://www.zaha-hadid.com/people/patrik-schumacher/">zahahadidarchitects</a></p>
<p><img class="aligncenter size-full wp-image-1670" style="border-style: initial; border-color: initial;" title="congressstation" src="http://www.digitalfutures.info/wp-content/uploads/2011/11/congressstation.JPG" alt="congressstation" width="879" height="552" /></p>
<p>Links:</p>
<ul>
<li><a href="http://archpaper.com/news/articles.asp?id=4623">architect&#8217;snewspaper</a> _ the parametricist manifesto</li>
<li><a href="http://www.zaha-hadid.com/people/patrik-schumacher/">zahahadidarchitects</a> _ bio</li>
<li><a href="http://www.patrikschumacher.com/">patrickschumacher</a></li>
</ul>
<p><img class="aligncenter size-full wp-image-1673" title="urbanvoids" src="http://www.digitalfutures.info/wp-content/uploads/2011/11/urbanvoids.JPG" alt="urbanvoids" width="877" height="546" /></p>
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		<title>Lecture 11.11.14: Carlos Jimenez</title>
		<link>http://www.digitalfutures.info/1/lecture-11-11-14-carlos-jimenez /</link>
		<comments>http://www.digitalfutures.info/1/lecture-11-11-14-carlos-jimenez /#comments</comments>
		<pubDate>Mon, 14 Nov 2011 01:05:15 +0000</pubDate>
		<dc:creator>GLeMaire</dc:creator>
				<category><![CDATA[-]]></category>
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		<category><![CDATA[architecture]]></category>
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		<guid isPermaLink="false">http://www.digitalfutures.info/?p=1660</guid>
		<description><![CDATA[
Latin Pratt’s ‘Breaking Borders’ semester-long event wraps up this Monday, ...]]></description>
			<content:encoded><![CDATA[<p><img class="aligncenter size-full wp-image-1661" title="BeauchampHouse" src="http://www.digitalfutures.info/wp-content/uploads/2011/11/BeauchampHouse.JPG" alt="BeauchampHouse" width="712" height="475" /></p>
<p>Latin Pratt’s ‘Breaking Borders’ semester-long event wraps up this <strong>Monday, November 14th at 6pm with a lecture by Carlos JIMENEZ</strong>, an architect with his own firm, The Carlos Jimenez Studio, and is a professor at Rice University. Mr. Jimenez’s work includes the Rice University Data Center, the Tyler School of Art at Temple University, several residences, and a variety of upcoming projects.</p>
<p><img class="aligncenter size-full wp-image-1663" title="BookerTWashingtonHS" src="http://www.digitalfutures.info/wp-content/uploads/2011/11/BookerTWashingtonHS.JPG" alt="BookerTWashingtonHS" width="473" height="476" /></p>
<p>Born in San Jose, Costa Rica (1959). Moved to United States in 1974. B-Arch (1981) from the University of Houston College of Architecture, receiving awards for best thesis and best portfolio. Establishes Carlos Jimenez Studio in Houston in 1983. Visiting professor at a number of Universities  in the United States and abroad such as Southern California Institute of Architecture, University of California at Los Angeles and Berkeley, Texas A&amp;M University, Williams College, University of Navarra, Rice University, Graduate School of Design at Harvard University, Tulane University, University of Texas at Austin and Arlington, Tec de Monterrey at Queretaro, Veritas University and the University of Oregon, among others. Lecturer, Juror and Visiting Critic at academic and cultural institutions throughout the United States, Canada, Mexico, the Caribbean, Central and South America, Europe the Middle East and Japan. Contributes regularly to specialized journals. Tenured Professor at Rice University School of Architecture (2000). Jury member of the Pritzker Architecture Prize (2001-2011).</p>
<p>^<a href="http://www.carlosjimenezstudio.com/">carlosjimenezstudio</a></p>
<p><img class="aligncenter size-full wp-image-1662" title="ArtLeagueHouston" src="http://www.digitalfutures.info/wp-content/uploads/2011/11/ArtLeagueHouston.JPG" alt="ArtLeagueHouston" width="726" height="469" /></p>
<p>Carlos Jimenez, professor of architecture at Rice University and an internationally known architect, has combined a distinctive style of teaching and research into an award-winning blend. He is the recipient of the 2006 Charles W. Duncan Jr. Achievement Award for Outstanding Faculty, which recognizes accomplishment in scholarship and teaching.</p>
<p>Jimenez said architecture research doesn’t take place in a controlled environment or a sterile lab; it converges and combines with academics until it’s difficult to tell where one ends and the other begins.</p>
<p>“What’s different about architecture and a science like biochemistry is that the academic and research sides are intertwined into the built work,” he said. “Every architecture project by nature requires a great deal of research focused toward an optimum solution. Whether in my studio or in one of my studios at Rice, we conduct singularly focused research, and the building is evidence of that research. The level and quality of research is another measure of a project’s success or shortcomings.”</p>
<p>But research is only part of the reason Jimenez received the award.</p>
<p>“His dedication to teaching and to students is legendary,” said Lars Lerup, dean of architecture and the William</p>
<p>Ward Watkin Professor of Architecture. “Carlos is one of the most revered studio teachers in the school. His reputation as considerate and respectful and his interest in our community go far beyond the call of duty and make him an outstanding colleague.”</p>
<p>For Jimenez, instruction on the subject of architecture is filled with contradictions. “I try to teach my students to be highly agile and positive in their pursuit of architecture, free and respectful of the discipline’s vast built legacy, intrepid and cautious, citizens of their precise locality and of the world, ” he said.</p>
<p>Jimenez, who was born in Costa Rica, came to the U.S. in the 1970s and graduated from the University of Houston in 1981. After a brief partnership, he started his own studio in 1982. He became a visiting professor at Rice in 1987, and in 1996 he started teaching full time at the university. By that time, he was well-known with a substantial portfolio of work and many publications.</p>
<p>“Carlos Jimenez’s story is an American story, showing how vital immigrants are to our culture,” Lerup said. “We are truly privileged to have him among us.”</p>
<p>^<a href="http://www.media.rice.edu/media/NewsBot.asp?MODE=VIEW&amp;ID=8542">riceuniversity</a></p>
<p><img class="aligncenter size-full wp-image-1664" title="RiceUniversityLibrary" src="http://www.digitalfutures.info/wp-content/uploads/2011/11/RiceUniversityLibrary.JPG" alt="RiceUniversityLibrary" width="598" height="477" /></p>
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		<title>Symposium 11.11.07: &#8216;New Latin American Architecture&#8217;</title>
		<link>http://www.digitalfutures.info/1/symposium-11-11-07-new-latin-american-architecture /</link>
		<comments>http://www.digitalfutures.info/1/symposium-11-11-07-new-latin-american-architecture /#comments</comments>
		<pubDate>Mon, 07 Nov 2011 19:00:08 +0000</pubDate>
		<dc:creator>GLeMaire</dc:creator>
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		<guid isPermaLink="false">http://www.digitalfutures.info/?p=1653</guid>
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Pratt Institute School of Architecture and Latin Pratt will be ...]]></description>
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<p><strong>Pratt Institute School of Architecture and Latin Pratt</strong> will be hosting host a symposium titled <strong>&#8220;New Latin American Architecture: A Critical Panorama&#8221; on Monday, November 7, 2011, from 6 to 9 p.m. in Higgins Hall Auditorium</strong> at 61 Saint James Place. The symposium will be free and open to the public and will focus on the development of architecture in Latin America during the last decade and the future of architecture in Latin America.</p>
<p><img class="aligncenter size-full wp-image-1654" title="a cero" src="http://www.digitalfutures.info/wp-content/uploads/2011/11/a-cero.jpg" alt="a cero" /></p>
<p>The symposium will feature a panel discussion moderated by <strong>Ivan Rumenov Shumkov, Ph.D.</strong>, adjunct associate professor at Pratt Institute and principal of Ivan Shumkov Architects; with panelists <strong>Barry Bergdoll</strong>, the Philip Johnson chief curator of architecture and design at the Museum of Modern Art and professor of architectural history at Columbia University; <strong>Alfredo Brillembourg</strong>, co-founder of Urban-Think Tank and chair of architecture and design at Zurich Institute of Technology; <strong>Ana Maria Duran Calisto</strong>, architect, researcher, and co-principal of Estudio A0; <strong>Kenneth Frampton</strong>, author, architect, and Ware Professor of Architecture at the Graduate School of Architecture, Planning, and Preservation at Columbia University; and<strong> Giancarlo Mazzanti Sierra</strong>, architect and a faculty member at Los Andes University in Bogotá, Colombia.</p>
<p><img class="aligncenter size-full wp-image-1655" title="drn" src="http://www.digitalfutures.info/wp-content/uploads/2011/11/drn.jpg" alt="drn" width="500" height="333" /></p>
<p>Please remember to bring your Pratt I.D. to gain entrance into the auditorium.</p>
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		<title>Symposium 11.11.03: Rome Matters</title>
		<link>http://www.digitalfutures.info/1/symposium-11-11-03-rome-matters /</link>
		<comments>http://www.digitalfutures.info/1/symposium-11-11-03-rome-matters /#comments</comments>
		<pubDate>Thu, 03 Nov 2011 16:39:06 +0000</pubDate>
		<dc:creator>GLeMaire</dc:creator>
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		<guid isPermaLink="false">http://www.digitalfutures.info/?p=1646</guid>
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This Thursday November 3rd at 6pm Pratt School of Architecture ...]]></description>
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<p><span style="font-family: Arial;"><span><strong>This Thursday November 3<sup>rd</sup> at 6pm</strong></span></span> Pratt School of Architecture will present the Symposium <strong>ROME MATTERS in Higgins Hall Auditorium</strong>. A conversation with <strong>Pippo Ciorra</strong>, of Rome&#8217;s MAXXI Museum, <strong>Alicia Imperiale, </strong>of Temple University, <strong>Frederick Biehle,</strong> Pratt Professor and Rome Program Director, and<strong> Mark Ratansky, </strong>Pratt Professor. Moderating the symposium will be <strong>Jason Vigneri-Beane</strong>, director of the GAUD Rome Program.</p>
<p><img class="aligncenter size-full wp-image-1648" title="stpeters" src="http://www.digitalfutures.info/wp-content/uploads/2011/11/stpeters.jpg" alt="stpeters" /></p>
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